This recent Brighton graduate creates highly sophisticated still and moving images which play with multiple-layers, intriguing the viewer and asking them to question what they’re really seeing.
How would you describe your practice?
I’m interested in how we see things from different perspectives. So, I like how you can alter the perception of one image by rendering it through different processes. It is not as much an interest in semiotics, but more about what aesthetics can communicate generally, how to distinguish background from foreground and what is in frame and what is outside of the frame. I do a lot of video work at the moment, because I’ve found it liberating to experiment visually through moving image and sound.
