Fine + Dandy
Nouvelle Noire’s Anton Studer explains the elegance of the gentlemanly ‘R’ from The New Yorker’s masthead typeface Irvin, a well-dressed letter that’s been in use for nearly a century.
Nouvelle Noire’s Anton Studer explains the elegance of the gentlemanly ‘R’ from The New Yorker’s masthead typeface Irvin, a well-dressed letter that’s been in use for nearly a century.